As a whole, this chapter argues that studies of the mechanisms underlying song learning and also the mechanisms underlying call plasticity, production, and perception are critical for understanding the neuroethology of vocal communication in oscines. The chapter also reviews how the auditory system and vocal and social brain networks might be connected to generate appropriate responses to communication calls and song. This chapter reviews the vocal behavior of oscines in the framework of animal communication and examines the mechanisms underlying the production and perception of all vocalization types. The vocal repertoire of oscines is impressive not only because of the number of vocalizations produced but also because of the flexible production and usage of these sounds. Song, however, is only one of the many vocalizations that are produced by oscines. Studies of the neurobiology of song learning have unraveled many of the mechanisms involved in this impressive vocal behavior. The oscine song copying behavior is also remarkable because vocal imitation is a relatively rare ability in vertebrates and because none of the nonavian species can outperform the best oscine mimics. The song is an attractive and conspicuous acoustic signal with striking spectral and temporal complexity. Oscines learn to produce a complex vocalization, the song, which they copy from a conspecific as young birds. This project, in between computer science and neuroscience, may help to better understand imitative vocal learning, and more generally sensorimotor learning. The sound production is obtained from real recordings, using recent developments in artificial intelligence. This model consists in a perceptual-motor loop where a sensory evaluation mechanism drives learning. My research project aims to build a bio-inspired model to describe imitative vocal learning. Songbirds have dedicated brain circuits for vocal learning, making them an ideal model for exploring the representation of imitative vocal learning. First they listen to their parents’ vocalizations, then they try to reproduce them: initially babbling, until their vocal output mimics those of their parents. Both learn to speak/sing by imitation from an early age going through the same stages of development. Humans learn to speak in a similar way as how songbirds learn to sing. Thus, it is concluded that the weight and size of the gastrointestinal organs increases with canaries age and gastrointestinal development differs between male and female groups. The growth in body weight correlates with the development The development of proventriculus, ventriculus, liver, small intestine, duodenum was significantly different (P<0.05) between the two groups. The results showed that proventricular weight, ventricular weight, liver weight, small intestine weight, jejunum length, and ilium length for the two groups were significantly different between data collection times (P<0.05). A correlation test was used to determine the relationship between body weight with the development of gastrointestinal. An Independent t-Test was used to see differences in gastrointestinal development between the two groups. One-way ANOVA analyzed data at 95% confidence level. Each group was taken a sample of six birds discontinue every month for four months. The study used forty-eight canaries divided into two groups (twenty-four males and twenty-four females). The research method used was an observational survey with purposive sampling. Thus, the evaluation of the development of canary gastrointestinal organs of males and females needs to know. The nutritional requirements of domestic canary (Serinus canaria) for life is determined by one of the roles of gastrointestinal organs. Thomas Wake The king's hunting jigg Galiardo I-III Courante : Jewel / John Bull - Preludium Galiardo The Lord of Salisbury his pavin Galiardo The queenes command Fantazia of foure parts / Orlando Gibbons - Gagliarda Corrente La frescobalda Corrente e canzona Fuga / Girolamo Frescobaldi - Toccata in A minor Toccata in D minor / Johann Jacob Froberger - Allemande / Henri Dumont - Canaris : Gigue Sarabande L'entretien des dieux : Pavane La rare: Allemande Courante Sarabande La loureuse Gaillarde / Jacques Champion de Chambonnières - Toccata : Tutta de salti / Johann Caspar Kerll - Chaconne / Jean-Henri D'Anglebert - Sarabande : Canon Chaconne / Louis Couperin - Air tendre Courante Allemande, sarabande et gigue / Jean-Baptiste Lully - Canzonetta / Dietrich Buxtehude - Sonata / Bernardo Pasquini - Chacone Ground Almand I, II Prelude Courante Fugue / John Blow - Fughetta Fuga Ciaconna / Johann Pachelbel - Suite I, in G major Suite II, in G minor Suite III, in G major Suite IV, in A minor Suite V, in C major Suite VI, in D major Suite VII, in D minor Suite VIII, in F major Almand / Henry Purcell - Fuga / Alessandro Scarlatti - Suite / Jean-Baptiste Loeillet - Suite III Suite II / Johann Kuhnau - v.
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